THE CUSTOMER HAS MOVED. HAS FASHION?

Monday Briefing

Fashion has spent a long time building channels. Stores. Ecommerce. Marketplaces. Social. Wholesale. Apps. Now social commerce. But there is a problem with the way we think about all of them: the customer doesn't shop in channels. They shop in a journey.

They might discover a product on TikTok, see someone wearing it, search for the brand, visit the website, check availability, go into a store, compare the price and eventually buy somewhere completely different. To the customer, that isn't five different channels. It is one interaction with a brand. Yet inside many fashion businesses, that same journey can still sit across different teams, budgets, targets, data sets and commercial priorities.

And the gap between the way the customer shops and the way the business is organised is becoming increasingly difficult to ignore.

Three signals this week we are watching:

SIGNAL 1: THE CUSTOMER DOESN'T SHOP IN CHANNELS

There is a useful piece of evidence from outside fashion this week. Currys has launched on TikTok Shop, giving customers another way to discover and buy its products through the platform, alongside its existing stores and website. The important lesson for fashion isn't that every retailer should suddenly launch on TikTok Shop. It is that discovery and commerce are becoming increasingly difficult to separate.

A customer can discover something, be influenced by it, research it and buy it in an increasingly compressed journey. That changes the question fashion should be asking. It isn't simply, ā€œWhich channel should we invest in?ā€ It is, ā€œHow does the customer move between our touchpoints, and are we making that journey feel like one brand?ā€

Retail spent years building channels. The customer has spent years breaking down the walls between them. That has major implications for fashion businesses still measuring performance primarily through individual channel silos. Because the channel might belong to the business. The customer belongs to nobody. They will take the path that feels easiest, most relevant and most compelling.

SIGNAL 2: THE CUSTOMER DOESN'T NECESSARILY FOLLOW THE FASHION CALENDAR

We have also just seen another problem with the way fashion has traditionally operated. Paris Fashion Week's Spring/Summer 2027 womenswear season ran from 28 September to 6 October, meaning the event itself crossed into October. At the same time, unusually warm conditions in Paris provided a very real illustration of the disconnect between the industry's seasonal calendar and the customer's immediate reality.

That raises a serious commercial question: what happens when the customer's physical reality no longer matches the industry's seasonal timetable?

Reuters reported this week that warmer autumns are delaying demand for coats and other cold-weather products, increasing the risk of excess inventory and markdowns. That matters because outerwear and other seasonal products can be important contributors to fashion retailers' margins. This isn't an argument that the fashion calendar suddenly disappears. It is an argument that the calendar is no longer a perfect proxy for demand.

There is another interesting data point this week. Fast Retailing, the owner of Uniqlo, reported its fifth consecutive record annual operating profit, with operating profit up 32% to „743.1bn for the year to August. Earlier this year, Uniqlo Japan also reported strong sales of functional products that responded to changing temperatures.

But the point for TFTT isn't simply Uniqlo's growth — and it certainly isn't that fashion should become Uniqlo. The point is relevance. Customers increasingly respond to products that make sense for what they need now.

They don't necessarily think, ā€œIt's October. Therefore I need a coat.ā€ They think, ā€œIt's cold. I need a coat.ā€ And if it isn't cold? They may wait.

The fashion calendar is fixed. Customer demand isn't. That has consequences all the way through the commercial model: buying, forecasting, inventory, allocation, merchandising, pricing, promotion and ultimately margin.

SIGNAL 3: THIS WEEK, THE INDUSTRY STARTS ASKING HOW TO RESPOND

That brings us to the question we think matters most this week: if the customer has moved, can the fashion business move quickly enough?

On 13 and 14 October, RE Plan Europe brings senior fashion leaders together around merchandise planning, forecasting, inventory and commercial strategy. The timing is particularly relevant. If customer demand is becoming harder to predict, how do you plan six, nine or twelve months ahead without creating the stock problem you are ultimately trying to solve?

Then, on 15 October, TheIndustry.fashion Summit will put changing consumer behaviour, social shopping, live shopping, personalised experiences and the evolving retail landscape into the spotlight. Again, the important question isn't which new channel wins. It is whether fashion can connect these developments into a customer experience that feels coherent.

Because customers don't care whether the inspiration came from social. They don't care whether the purchase was made in store. They don't care which internal team owns the customer data. And they certainly don't care which P&L the transaction sits on. They just want the right product, at the right moment, in the right place, with as little friction as possible.

That sounds simple. Operationally, it is anything but.

THE TFTT INSIDER VIEW

For us, this is the bigger story. Fashion has traditionally been very good at defining the customer journey for the customer. We decide when collections launch. We decide which products belong in which season. We decide which channel gets which stock. We decide when to promote. We decide how the organisation is structured.

But the customer doesn't experience any of that.

They experience the brand.

And increasingly, they move between touchpoints without thinking about the boundaries we have created internally. So perhaps the question fashion should be asking isn't, ā€œHow do we manage our channels better?ā€ It is, ā€œWhy are we still thinking in channels when our customer doesn't?ā€

The same applies to seasonality. Perhaps the question isn't, ā€œHow do we make the customer buy the product we planned?ā€ It is, ā€œHow do we build a business capable of responding to what the customer actually wants?ā€

That is a much harder question. But it may also be the more important one. Because this isn't about abandoning the fashion calendar. It isn't about throwing out stores. It isn't about putting every product on TikTok. And it isn't about copying another retailer.

It is about recognising that the customer is changing the rules of engagement. They discover differently. They shop differently. They respond to relevance differently. And increasingly, they expect the brand to connect the dots for them. The advantage may increasingly belong to businesses that are best at removing the friction between what the customer wants and how quickly the organisation can respond. That is the conversation we are watching this week.

Because the customer has already moved.

The question is whether fashion has.

TFTT Inside Fashion. Not Observing It.

 

Previous
Previous

ATTENTION ISN'T THE SAME AS DEMAND.

Next
Next

THE STORE ISN'T THE PRODUCT. IT'S THE PLATFORM.